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Showing posts with label ខ្សែភាពយន្តខ្មែរ. Show all posts
Showing posts with label ខ្សែភាពយន្តខ្មែរ. Show all posts

Friday, March 25, 2016

ល្បុក្កតោចម្លែក


Friday, March 18, 2016

ចៅមាយើង Mear Yerng (01/02)

ព្រះបាទត្រសក់ផ្អែម (០១/១៣)

Monday, March 14, 2016

Sunday, January 31, 2016

The Killing Fields (1984)



History of the film

The Killing Fields is a 1984 British drama film set in Democratic Kampuchea, which is based on the experiences of two journalists: Cambodian Dith Pran and American Sydney Schanberg.
The film, which won eight BAFTA Awards and three Academy Awards, was directed by Roland Joffé and stars Sam Waterston as Schanberg, Haing S. Ngor as Pran, Julian Sands as Jon Swain, and John Malkovich as Al Rockoff. The adaptation for the screen was written by Bruce Robinson and the soundtrack by Mike Oldfield, orchestrated by David Bedford.
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Synopsis

In the Cambodian capital, Phnom Penh during May 1973, the Cambodian national army is fighting a civil war with the Khmer Rouge, a result of the Vietnam War overspilling that country’s borders. Dith Pran, a Cambodian journalist and interpreter for The New York Times, awaits the arrival of reporter Sydney Schanberg at the city's airport but leaves suddenly. Schanberg takes a cab to his hotel where he meets up with Al Rockoff (John Malkovich). Pran meets Schanberg later and tells him that an incident has occurred in a town, Neak Leung; allegedly, an American B-52 has bombed the town.

Schanberg and Pran go to Neak Leung where they find that the town has been bombed. Schanberg and Pran are arrested when they try to photograph the execution of two Khmer Rouge operatives. They are eventually released and Schanberg is furious when the international press corps arrives with the U.S. Army.

Two years later, in 1975, the Phnom Penh embassies are being evacuated in anticipation of the arrival of the Khmer Rouge. Schanberg secures evacuation for Pran, his wife and their four children. However, Pran insists that he would stay behind to help Schanberg.
The Khmer Rouge move into the capital, ostensibly in peace. During a parade through the city, Schanberg meets Rockoff. They are later met by a detachment of the Khmer Rouge, who immediately arrest them. The group is taken through the city to a back alley where prisoners are being held and executed. Pran, unharmed because he is a Cambodian civilian, negotiates to spare the lives of his friends. They do not leave Phnom Penh, but instead of retreating to the French embassy.

Informed that the Khmer Rouge have ordered all Cambodian citizens in the embassy to be handed over and fearing the embassy will be overrun, the embassies comply. Knowing that Pran will be imprisoned or killed, Rockoff and fellow photographer Jon Swain (Julian Sands) of The Sunday Times try to forge a British passport for Pran. The deception fails when the image of Pran on the passport photo fades to nothing. Pran is turned over to the Khmer Rouge and is forced to live under their totalitarian regime.

Several months after returning to New York City, Schanberg is in the midst of a personal campaign to locate Pran. In Cambodia, Pran has become a forced labourer under the Khmer Rouge's "Year Zero" policy, a return to the agrarian ways of the past. Pran is also forced to attend propagandist classes where many undergo re-education. As intellectuals are made to disappear, Pran feigns simple-mindedness. Eventually, he tries to escape, but is recaptured. Before he is found by members of the Khmer Rouge, he slips into a muddy cesspool filled with rotting human corpses; in doing so, he stumbles upon the infamous killing fields of the Pol Pot regime, where it murdered as many as 2 million Cambodian citizens.

In 1976 Sydney Schanberg is awarded a Pulitzer prize for his coverage of the Cambodian conflict. At the acceptance dinner he tells the audience that half the recognition for the award belongs to Pran. Later in the restroom, he is confronted by Rockoff who harshly accuses him of not doing enough to locate Pran and for using his friend to win the award. Schanberg defends his efforts, saying that he has contacted every humanitarian relief agency possible in the time since Pran's disappearance. Rockoff suggests that Schanberg subtly pressured Pran to remain in Cambodia because Pran was so vital to Sydney's work. This accusation hits close to home, and Schanberg begins to wonder whether he put his own self-interest ahead of Pran's safety. He finally confesses that Pran "stayed because I wanted him to stay".

Pran is assigned to the leader of a different prison compound, a man named Phat, and charged mostly with tending to his little boy. Pran continues his self-imposed discipline of behaving as an uneducated peasant, despite several of Phat’s attempts to trick him into revealing his knowledge of both French and English. Phat begins to trust Pran and asks him to take ward of his son in the event that he is killed. The Khmer Rouge are now engaged in a border war with Vietnam. The conflict reaches Pran's region and a battle ensues between the Khmer Rouge of the compound and two jets sent to destroy the camp. After the skirmish has ended, Pran discovers that Phat's son has American money and a map leading to safety. When Phat tries to stop the younger Khmer Rouge officers from killing several of his comrades, he is ignominiously shot.

In the confusion, Pran escapes with four other prisoners and they begin a long trek through the jungle with Phat’s young son. The group later splits and three of them head in a different direction; Pran continues following the map with one of them. However, Pran’s companion activates a hidden land mine while holding the child. While Pran pleads with the man to give him the child, the mine goes off, killing them both. Pran mourns for a time and continues on. One day he crests the escarpment of the Dângrêk Mountains and sees a Red Cross camp near the border of Thailand. The scene shifts to Schanberg calling Pran's family with the news that Pran is alive and safe. Soon after, Schanberg travels to the Red Cross camp and is reunited with Pran. He asks Pran to forgive him; Pran answers, with a smile, "Nothing to forgive, Sydney", as the two embrace and John Lennon's song Imagine is heard in the background.

Saturday, January 30, 2016

Little Buddha (speak Khmer)


History of the film

Little Buddha is a 1993 Italian-French-British drama film directed by Bernardo Bertolucci and starring Chris Isaak, Bridget Fonda and Keanu Reeves as Prince Siddhartha (the Buddha before his enlightenment). Produced by Bertolucci's usual collaborator, Jeremy Thomas, it marked the team's return to the East after The Last Emperor

Synopsis

Tibetan Buddhist monks from a monastery in Bhutan, led by Lama Norbu, are searching for a child who is the rebirth of a great Buddhist teacher, Lama Dorje. Lama Norbu and his fellow monks believe they have found a candidate for the child in whom Lama Dorje is reborn: an American boy named Jesse Conrad, the young son of an architect and a teacher who live in Seattle. The monks come to Seattle in order to meet the boy.

Jesse is fascinated with the monks and their way of life, but his parents, Dean and Lisa, are wary, and that wariness turns into near-hostility when Norbu announces that he wants to take Jesse back with him to Bhutan to be tested. Dean changes his mind however, when one of his close friends and colleagues commits suicide because he went broke. Dean then decides to travel to Bhutan with Jesse. In Nepal, two children who are also candidates for the rebirth are encountered, Raju and Gita.

Gradually, over the course of the movie, first Jesse's mother and then Lama Norbu tell the life story of Prince Siddhartha, reading from a book that Lama Norbu has given to Jesse.

In ancient Nepal, a prince called Siddhartha turns his back on his comfortable and protected life, and sets out on a journey to solve the problem of universal suffering. As he progresses, he learns profound truths about the nature of life, consciousness, and reality. Ultimately, he battles Mara (a demon representing the ego), who repeatedly tries to divert and destroy Siddhartha. Through the final complete realization of the illusory nature of his own ego, Siddhartha attains enlightenment and becomes the Buddha.

In the final scenes of the movie, it is found that all three children are rebirths of Lama Dorje, separate manifestations of his body (Raju), speech (Gita), and mind (Jesse). A ceremony is held and Jesse's father also learns some of the essential truths of Buddhism. His work finished, Lama Norbu enters a deep state of meditation and dies. As the funeral ceremony begins, Lama Norbu speaks to the children, seemingly from a higher plane, telling them to have compassion; and just before the credits roll the children are seen distributing his ashes.

Phrak Thong and Neang Neak


History of the film

Phrak Thong and Neang Neak by MK Production with English Sub-Title released to public in May of 2004. The making of this movie was an early attempt by MK Production Company based in Lowell, Massachusetts USA, to recreate an Epic story of Buddha at 80 who foretold the birth of a nation "the Khmer Empire".The journey of crossing realm love story between the Human Prince of the Khmer Empire and the Daughter of the Sea God (Naga).

Khmer traditional practice at the finishing part of the "Wedding Ceremony" is when the Groom holding the Bride cape then entering the bedroom that symbolized the beginning of their union as husband and wife, this tradition came from one part of the story when the Human Prince was safely entered the Naga Realm by holding the Naga daughter cape in order to meet her parents in her realm...

Tum Teav (film)


History of the film

Tum Teav (Khmer: ទុំទាវ) is a 2003 Romance-tragedy Cambodian film portraying the tragedy of the star-crossed lovers Tum and Teav. The film inspired a love story which has been told throughout Cambodia since the 19th century, revived a Khmer proverb states that The Cake is never bigger than the Basket.

Literally, daughters (cake) were thought not to be able to find a good family without the help of their mothers (basket). This 2003 remake of the classic story played to packed theatres in Phnom Penh and has been credited with helping fuel the revival of the long defunct Cambodian Cinema industry.

Synopsis

The film starts with Tum, a talented novice monk,with his friends, Pich, are going to a village to sing a classic song. Meanwhile, Teav, the daughter of rich woman in a village, hears some news about a handsome monk with the beautiful voice from her waitress. So she offers her mother, Pai,to invite him to sing for her. As Tum sings along in Teav's house, they, immediately, fall in love from the first sight.

It is reciprocated and Teav offered Tum some betel nut and a blanket as evidence of the feelings she had for Tum and prays to Buddha that the young monk will be with her for eternity.[2] Tum is very pleased to accept the offers, to see she feels the same way he does. After That Tum can't control himself to stop thinking about Teav.The feeling grow stronger and eventually he persuade Pich to quit the monkhood. Both of them then go to the chief monk and tell their intention.It is fine for Pich to leave but The chief of monks cam foresee that Tum would have the bad luck if he quit being a monk.

To his love for Teav, he listens nothing to The chief of monks's advice so he decide to quit the monkhood by himself in the forest. As himself is now not the monk, he initially spends some time in Teav’s home despite her being ‘in the shade’ (a period of a few weeks when the daughter is supposedly secluded from males and taught how to behave virtuously), and wastes no time in abusing the mother’s hospitality by sleeping with her daughter.

Then Tum's good reputation of his voice,was heard by the King, he invite to the royal palace to sing for the King.For the price, The King gives Tum as a specialist Singer in the palace. there and then, Teav's mother knew everything of Tum and Tum, she is unaware of this event and has alternative plans, intending to marry her daughter off to the governor’s son,then she dropped the idea when her daughter was chosen to be with the king, but resurrected it as soon as she learned that her employment at the court wasn't leading anywhere, when Tum and Teav are married with the support of the king because of their true love.

So Pai feigns illness as a ruse to lure Teav to her village whereupon she tries to coerce her into taking part in the wedding ceremony.When Tum receives a news from his Friend, Pich about Teav's wedding.He tell it to the King and turns up with an edict from the king to stop the ceremony, but on arrival instead of presenting the order, he gets drunk, announces he is Teav's husband and kisses her in public; his behaviour make everyone Especially The governor's son who going to become Teav's husband get angry,then they take Tum to kill under the banyan tree. Once Teav hears that Tum has died, she runs out from the wedding and finds Tum's body beneath a banyan tree.

Teav prays that she will meet Tum in every life she lives and commits suicide. Only after that does the governor discover the king’s letter. This film finishes with the king exacting rather extreme punishment – slaughtering every family member (including infants) remotely connected to the deception and the murder of Tum, making hereditary slaves of the entire village and exacting crippling extra taxes from a wider area in perpetuity.

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